Mixing languages and times book

This experimental work explores writing through various forms, aiming to create a database around themes of the present moment and the possibility of visual poetry or haiku. The text blends multiple languages and is structured in non-chronological blocks, allowing intuitive reading without following a linear narrative. A post-block chapter offers references to filmmakers, writers, and artists, while the left side of each spread remains blank for notes, supporting the fluid and poetic nature of the project.

This work is an experimental exploration of writing in various forms. The artist's main goal was to create a database on a subject of her artistic research: the questions of the moment, the present time, and the possibility of creating a visual poem or a visual haiku that treads the fine line between poetry and cinema.

This experiment also extends to the writing itself by blending several languages within the text. There is no chronological narrative; instead, the text is organized into blocks of subjects, allowing it to be read intuitively, without the need to follow chapters in a linear order.

In support of the database concept, there is a post-block chapter that consists of numerous links and references to filmmakers, writers, artists, and others. To maintain the poetic quality of the content, the left side of the book spread is left as a space reserved for any type of notes.

Mixing languages and times, 2018
136 pages, 14 cm x 24 cm 1,3 cm, sewn binding

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